Portal:Record production

The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console

P:RECORDP:RECORD

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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Ōkami is a 2006 action-adventure game developed by Clover Studio and published by Capcom. It was released for PlayStation 2 in 2006 in Japan and North America, and in 2007 in Europe and Australia. After the closure of Clover Studio a few months after the release, a port for Wii was developed by Ready at Dawn, Tose, and Capcom, and released in 2008.

Set in a fictional version of classical Japan, Ōkami combines Japanese mythology and folklore to tell the story of how the land was saved from darkness by the Shinto sun goddess Amaterasu, who took the form of a white wolf. It features a sumi-e-inspired cel-shaded visual style and the Celestial Brush, a gesture-system to perform miracles. The game was planned to use more traditional realistic rendering, but this had put a strain on the graphics processing of the PlayStation 2. Clover Studio switched to a cel-shaded style to reduce the processing, which led to the Celestial Brush concept. The gameplay is modeled on The Legend of Zelda, one of director Hideki Kamiya's favorite series. The game's name is a pun, as "ōkami" can mean either "great god" (大神) or "wolf" (狼) in Japanese. (Full article...)
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Fauré in 1907

The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the 1860s and the 1920s, include some of his best-known works.

Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from uncomplicated youthful charm to a final enigmatic, but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯ minor, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth. (Full article...)
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Page 53 of Olney Hymns showing the first stanza of the hymn beginning with "Amazing Grace!"

"Amazing Grace" is a Christian hymn published in 1779 by the English clergyman John Newton in Olney, Buckinghamshire. With a message that forgiveness and redemption are possible regardless of the sins people commit and that the soul can be delivered from despair through the mercy of God, it is among the most sung and recorded hymns in the world and is especially popular in the United States, where it is used for both religious and secular purposes.

Newton wrote the words from personal experience; he grew up without any particular religious conviction, but his life's path was formed by a variety of twists and coincidences that were often put into motion by others' reactions to what they took as his recalcitrant insubordination. He was pressed into service with the Royal Navy, and after leaving the service, he became involved in the Atlantic slave trade. In 1748, a violent storm battered his vessel so severely that he called out to God for mercy. The moment marked his spiritual conversion, Newton began studying Christian theology and later became a British abolitionist. (Full article...)
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In Utero is the third and final studio album by the American rock band Nirvana, released on September 21, 1993, by DGC Records. After breaking into the mainstream with their previous album, Nevermind (1991), Nirvana hired Steve Albini to record In Utero, seeking a more complex, abrasive sound that was reminiscent of their work prior to Nevermind. Although the songwriter, Kurt Cobain, said it was "very impersonal", many songs allude to his personal life, expressing feelings of angst that were prevalent on Nevermind.

In Utero was recorded in February 1993 at Pachyderm Studios. After recording finished, rumors circulated that DGC might not release it due to Albini's abrasive and uncommercial sound. It was mastered by Bob Ludwig to achieve a more desirable sound for Nirvana and DGC. Nirvana hired the producer Scott Litt to remix the singles "All Apologies", "Heart-Shaped Box" and "Pennyroyal Tea". (Full article...)
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Stereolab performing at the London Pitchfork Festival in 2021

Stereolab are a British-French band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's sound incorporates vintage electronic keyboards and repetitive motorik beats with female vocals sung in English and French, drawing influence from styles such as krautrock, lounge music, jazz, and 1960s French pop. Their lyrics have left-wing political and philosophical themes influenced by the Surrealist and Situationist movements.

Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group's only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas' leader Sean O'Hagan (guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. (Full article...)
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Rock Steady is the fifth studio album by American rock band No Doubt, released on December 11, 2001, by Interscope Records. The band began writing the album with initial recording sessions in Los Angeles and San Francisco, then traveled to London and Jamaica to work with various performers, songwriters, and producers. Sly & Robbie, the Neptunes, and William Orbit were among the many artists the band collaborated with on the album.

As a result of these collaborations, Rock Steady touches on many musical styles, focusing on electropop, dancehall, and new wave. The band attempted to capture the vibe of Jamaican dancehall music, and experimented with writing songs without its standard instrumentation. Lead vocalist Gwen Stefani wrote her lyrics quickly in comparison to previous records, and dealt with topics ranging from partying to ruminations on her relationship with Gavin Rossdale. (Full article...)
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No Depression, which was released in June 1990, is the first studio album of the American alternative country band Uncle Tupelo. After its formation in the late 1980s, Uncle Tupelo recorded a demo tape titled Not Forever, Just for Now, which received a positive review by the College Media Journal in 1989. The review led to the band signing with what became Rockville Records later that year. The album was recorded with producers Sean Slade and Paul Q. Kolderie at Fort Apache Studios on a budget of US$3,500.

No Depression was critically acclaimed and sold well for an independent release. It sold over 15,000 copies within a year of its release, and its success inspired the roots music magazine No Depression. The record is considered one of the most-important alternative country albums, and its title is often used as a synonym for the alternative country genre after being popularized by No Depression magazine. After regaining the rights to the album through a lawsuit, in 2003, Uncle Tupelo released a remastered version through Legacy Records, expanding it to include six bonus tracks. (Full article...)
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Surfer Rosa is the debut studio album by the American alternative rock band Pixies, released in March 1988 on the British label 4AD. It was produced by Steve Albini. Surfer Rosa contains many of the elements of the Pixies' earlier output, including Spanish lyrics and references to Puerto Rico. It includes references to mutilation and voyeurism alongside experimental recording techniques and a distinctive drum sound.

As 4AD was an independent label, distribution in the United States was handled by British label Rough Trade Records; however, it failed to chart in either country. Only one single was released, a rerecorded version of "Gigantic", and reached number 93 on the UK Singles Chart. Surfer Rosa was rereleased in the US by Elektra Records in 1992, and in 2005 was certified gold by the Recording Industry Association of America. (Full article...)
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Minogue in 2025

Kylie Ann Minogue (/mɪˈnoʊɡ/; born 28 May 1968) is an Australian singer, songwriter, and actress. Frequently referred to as the "Princess of Pop", she has achieved recognition in both the music industry and the fashion world as a major style icon. Her accolades include two Grammy Awards, four Brit Awards and eighteen ARIA Music Awards. Minogue is the highest-selling Australian-born female artist of all time, with sales surpassing 80 million records worldwide. Minogue received a two Guinness World Records. In 2024, Time included her in its annual list of the 100 most influential people in the world.

Born and raised in Melbourne, Minogue first achieved recognition starring as Charlene Mitchell in the Australian soap opera Neighbours (1986–1988). She began her music career in the late 1980s, releasing four dance-pop studio albums under PWL. By the early 1990s, Minogue had amassed several hit singles in Australia and the UK, including "The Loco-Motion", "I Should Be So Lucky", "Especially for You", "Hand on Your Heart", and "Better the Devil You Know". Taking more creative control over her music, she signed with Deconstruction Records in 1993 and released the albums Kylie Minogue (1994) and Impossible Princess (1997). (Full article...)
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Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.

In 1968, three of the genre's most famous pioneers – British bands Led Zeppelin, Black Sabbath, and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence, while Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Beginning in the late 1970s, bands in the new wave of British heavy metal such as Iron Maiden and Saxon followed in a similar vein. By the end of the decade, heavy metal fans became known as "metalheads" or "headbangers". The lyrics of some metal genres became associated with aggression and machismo, an issue that has at times led to accusations of misogyny. (Full article...)
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"Say Say Say" is a song by the English singer-songwriter and musician Paul McCartney and the American singer-songwriter Michael Jackson, released in October 1983 as the lead single from McCartney's fifth solo studio album Pipes of Peace (1983). Produced by George Martin, it was recorded during production of McCartney's previous studio album Tug of War (1982), about a year before the release of "The Girl Is Mine", the pair's first duet, from Jackson's sixth studio album Thriller (1982).

After its release in October 1983, "Say Say Say" became Jackson's seventh top-ten hit inside a year. It was a number-one hit in the United States (his sixth number-one single there), Canada, Norway, Sweden and several other countries, reached number two in the United Kingdom, and peaked within the top ten in Australia, Austria, New Zealand, the Netherlands, Switzerland and over 20 other nations. In 2013, Billboard magazine listed the song as the 41st biggest hit of all time on the Billboard Hot 100 chart. It has also been voted the ninth-best collaboration of all time in a Rolling Stone readers poll. (Full article...)
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Backmasking is a recording technique in which a message is recorded backward onto a track that is meant to be played forward. It is a deliberate process, whereas a message found through phonetic reversal may be unintentional.

Artists have used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. It has also been used to censor words or phrases for clean releases of explicit songs. (Full article...)

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... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?
... that voice actress Rika Hayashi brought a golf club to the recording studio for Tonbo!, a golf-themed anime series?
... that one critic interpreted a SZA song as being about her fears about the growing influence of AI in the music industry?
... that Light Vessel 95 is now a recording studio?
... that to promote the Buffalo Club, Rising Tide Records sent packages of plastic buffalo to music industry executives in Nashville?
... that until the release of the documentary Predator: The Secret Scandal of J-Pop, sexual abuse claims involving record producer Johnny Kitagawa went widely unreported in Japanese media?

Born this day

Birthdays in Music: June 18

Paul McCartney, English singer and songwriter for The Beatles, turns 84.
Dizzy Reed, American musician and keyboardist for Guns N' Roses, turns 63.
Trippie Redd (born Michael Lamar White IV), American rapper and singer, turns 27.
Ella Chen, Taiwanese mandopop singer with S.H.E, turns 45.
Josh Dun, American drummer for Twenty One Pilots, turns 38.

Jackie Leven (Record production, 1950 –November 14, 2011), Scottish folk music singer and songwriter, would have turned 76 this year.
Lincoln Thompson (Record production, 1949 –January 23, 1999), Jamaican singer and songwriter, would have turned 77 this year.
Sandy Posey (Record production, 1944 –July 20, 2024), American popular music and country singer, would have turned 82 this year.
Raffaella Carrà (Record production, 1943 –July 05, 2021), Italian presenter and singer, would have turned 83 this year.
Carl Radle (Record production, 1942 –May 30, 1980), American bassist, would have turned 84 this year.
Hans Vonk (Record production, 1942 –August 29, 2004), Dutch conductor, would have turned 84 this year.
Claude Helffer (Record production, 1922 –October 27, 2004), French pianist, would have turned 104 this year.
Sammy Cahn (Record production, 1913 –January 15, 1993), American composer, would have turned 113 this year.
Ray McKinley (Record production, 1910 –May 07, 1995), American jazz drummer and bandleader, would have turned 116 this year.
Manuel Rosenthal (Record production, 1904 –June 05, 2003), French conductor and composer, would have turned 122 this year.
Jeanette MacDonald (Record production, 1903 –January 14, 1965), American actress and singer, would have turned 123 this year.
Sara Martin (Record production, 1894 –May 24, 1955), American blues vocalist, would have turned 132 this year.
Ignaz Pleyel (Record production, 1757 –November 14, 1831), Austrian composer and piano manufacturer, would have turned 269 this year.

List of musical events • Anniversaries • More birthdays...

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.

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Beautiful Heartache is a 2009 studio album by Russian pianist and singer-songwriter, Oksana Grigorieva, with Mel Gibson as executive producer.

Grigorieva signed with Gibson's music label, and the two began production on her first album. She composed all songs on the album. Gibson served as co-writer on the song, "Say My Name," and recorded four music videos for the album's release. The album was positively received by the media, including ABC News and Reuters. IndieLondon gave the album a rating of 4 out of 5. (Full article...)
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Melodrama is the second studio album by New Zealand singer-songwriter Lorde. It was released on 16 June 2017 by Lava and Republic Records and distributed through Universal. Following the breakthrough success of her debut album Pure Heroine (2013), Lorde retreated from the spotlight, and travelled between New Zealand and the United States. Initially inspired by her disillusionment with fame, she wrote Melodrama to capture heartbreak and solitude after her first breakup.

Lorde chose Jack Antonoff as the main collaborator because she felt the need to expand her artistry from the Joel Little-produced Pure Heroine. The final product is a synth-pop, art pop, and electropop record incorporating piano-based melodies, pulsing synthesisers and dense electronic beats. Critics viewed the album as a maximalist departure from the minimalist hip-hop-influenced production of its predecessor, and considered it a loose concept album chronicling the emotions ensued from a house party. The songs "Green Light", "Perfect Places", and "Homemade Dynamite" were released as singles. Lorde promoted the album through several music festivals she headlined, and the Melodrama World Tour in 2017 and 2018. (Full article...)
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File:Beyonce-heat.jpg

Heat is a perfume endorsed by American singer-songwriter Beyoncé. It was created by her alongside Claude Dir and Olivier Gillotin of the company Givaudan. The product, which was released on February 3, 2010, uses the tagline "catch the fever". The release was promoted with a cover version of "Fever" recorded by Beyoncé and a limited edition extended play (EP) also titled Heat. She also appeared at Macy's Herald Square to launch the perfume and on The Today Show where she discussed about Heat.

The fragrance's commercial, directed by director Jake Nava and released in December 2009, spawned controversy for its sexually explicit imagery, and was only allowed nighttime broadcast in the United Kingdom. Macy's sold US$3 million worth of Heat between early February and early March 2010. It received mixed reviews from critics, and it was nominated at several fragrance award ceremonies. (Full article...)
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Unlocked is the second studio album by Romanian singer-songwriter Alexandra Stan, released on 27 August 2014, by Victor Entertainment. Several collaborators are credited for the record's production, including Andreas Schuller, Sebastian Jacome, Chrishan Prince, Erik Lidbom, and Gabriel Huiban; songs were developed during the first Romanian international songwriting camp FonoCamp in 2013. Unlocked was released following an alleged physical altercation between Stan and her former manager Marcel Prodan, which led to a court case and a short hiatus in 2013. As a result, she left Prodan's label and signed a record deal with Fonogram Records to distribute the record in various countries.

Unlocked features dance, techno, pop, and R&B genres, with influences varying from J-pop to house music. Lyrically, it deals with themes of liberation and new beginnings. Music critics gave the album mixed reviews, criticizing the songs' lack of originality. Unlocked debuted and peaked at number 21 on the Oricon Albums Chart in Japan, where it had sold 17,045 units by January 2015. Five singles were released to promote the album, of which two—"Cherry Pop" and "Dance"—charted on the Billboard Japan Hot 100. To further promote Unlocked, the singer embarked on the Cherry Pop Summer Tour and the Unlocked Tour in 2014 performing in Japan, Mexico, Russia, and Turkey. (Full article...)
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Inna is the fourth studio album recorded by Romanian singer Inna. It was released on 30 October 2015 by Warner Music, while a Japanese version of the record titled Body and the Sun was made available on 23 July 2015 by Roton and Empire Music. The singer collaborated with various producers on the album, including The Monsters and the Strangerz, Axident, Play & Win and Thomas Troelsen. Its material includes multiple genres, such as dance-pop, deep house, electro house, electropop and Latin.

The album's title was originally planned to be Latinna, and it also includes promotional singles intended for the cancelled extended play (EP) Summer Days. Inna and Body and the Sun were supported by several concert tours in Europe and Japan. Seven singles have also been released to aid the record, of which "Cola Song" (2014) was successful in Europe and was certified Platinum in Spain and "Diggy Down" (2014) marked Inna's third number one hit in Romania. Commercially, Inna only reached minor success on record charts, peaking at number 157 in Japan and at position 45 in Mexico. (Full article...)
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Big Apple Rappin' (subtitled: The Early Days of Hip-Hop Culture in New York City 1979–1982) is a 2006 compilation album released on Soul Jazz Records. The album is a compilation of the early days of New York hip hop by Johan Kugelberg, who had collected early hip hop material, specifically records flyers and fanzines and other memorabilia with the idea to donate them to an academic institution. The music Kugelberg gathered for the compilation surrounded hip hop music released around the period "Rapper's Delight" became a hit song. The music is predominantly hip hop with a disco backing tracks which Kugelberg described as "the first great records." Along with the music, photography and flyers were compiled from the era, as well as interviews with DJs and rappers such as Grandmaster Caz and Glen Adams.

Reviews of the album complimented the in-depth research and compiling of the compilation album, with some critics noting the dated or repetitive nature of the music and long length of the individual tracks as drawbacks. Jon Dolan of Spin gave the album a five-star rating and later included it in the magazines best reissues of 2006 list in 2007. Along with Kugelberg's collected records, a copy of the album is included in Cornell University's Division of Rare and Manuscript Collections. (Full article...)
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Razorblade Romance is the second studio album by Finnish rock band HIM, recorded with producer John Fryer. HIM initially began recording the album with producer Hiili Hiilesmaa, who had helmed the group's 1997 debut album, however these sessions proved unsuccessful, and HIM parted ways with Hiilesmaa, and recruited Fryer. The band, along with Fryer, relocated to Rockfield Studios in Wales to begin recording, and released the album on 24 January 2000. Musically, the album featured a sleeker production and a more melodic sound compared to their debut. The album's lead single "Join Me in Death" would prove to be HIM's breakthrough single, reaching number one in Finland and Germany. The song also featured on the soundtrack of the 1999 science fiction film The Thirteenth Floor.

Razorblade Romance received mostly positive reviews from critics, with particular praise being given to the songwriting, while the more polished production received some criticism. The album also charted in six countries, peaking at number one in Finland, Germany and Austria, later going double platinum, triple gold, and gold respectively. Razorblade Romance would also go on to chart in the United States in January 2004, making it the band's first album to chart in the US. HIM also won "Album of the Year" at the 2000 Emma Awards, as well as were awarded at the 2004 IFPI Platinum Europe Awards. Three further singles were released from the album, two of which reached number one in Finland. Razorblade Romance was followed by an intensive supporting tour, which nearly resulted in the band breaking up. The album was also HIM's first to feature drummer Mika "Gas Lipstick" Karppinen, and the only to feature keyboardist Jussi-Mikko "Juska" Salminen. (Full article...)
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The Halo Original Soundtrack is a soundtrack for the video game Halo: Combat Evolved. Composed and produced by Martin O'Donnell and Michael Salvatori for Bungie, the soundtrack was released on June 11, 2002. Most of the music from Halo: Combat Evolved is present on the CD, although some songs have been remixed by O'Donnell in medley form for "more enjoyable" listening. The first piece O'Donnell wrote, known as "Halo", became the basis for Halo's "signature sound" which has been heard in the other games of the main trilogy.

The soundtrack features a wide range of musical styles, including chanting, string orchestra, and percussion. Upon release, the soundtrack was well received by critics. Some complimented the wide range of musical styles, and most agreed that playing the game is not required to enjoy the soundtrack. A special edition of the soundtrack was released on October 28, 2003, featuring a DVD with a trailer, demo movie, and high quality music for Halo 2. (Full article...)
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Yield is the fifth studio album by American rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was hailed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort, as opposed to relying on frontman Eddie Vedder to compose the song lyrics as on the first four studio albums.

Yield received positive reviews and debuted at number two on the Billboard 200. While like No Code, the album soon began falling in the charts, Yield eventually outsold its predecessor. The band did more promotion for the album compared to No Code, including a return to full-scale touring and the release of a music video for the song "Do the Evolution". The record has been certified platinum by the RIAA in the United States. The album is Pearl Jam's last release with drummer Jack Irons, who left the band during the album's promotional tour. He was replaced by Soundgarden drummer Matt Cameron. (Full article...)
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Stankonia is the fourth studio album by the American hip hop duo Outkast, released on October 31, 2000, by LaFace Records and Arista Records. The album was recorded in the duo's recently purchased Atlanta recording facility, Stankonia Studios, which allowed for fewer time and recording constraints, and featured production work from Earthtone III (a production team consisting of Outkast and Mr. DJ) and longtime collaborators Organized Noize.

For the follow-up to their 1998 album Aquemini, the duo worked to create an expansive and experimental musical aesthetic, incorporating a diverse array of styles including funk, rave music, psychedelia, gospel, and rock within a Dirty South-oriented hip-hop context. During the recording sessions, André 3000 began moving beyond traditional rapping in favor of a more melodic vocal style, an approach to which Big Boi and several other producers were initially unaccustomed. Lyrically, the duo touched upon a wide range of subject matters, including sexuality, politics, misogyny, African-American culture, parenthood, and introspection. Stankonia featured appearances from a variety of local musicians discovered by the group while they were visiting clubs in their native city of Atlanta, Georgia. (Full article...)
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U2 Live at Red Rocks: Under a Blood Red Sky is a concert film by Irish rock band U2. It was recorded on 5 June 1983 at Red Rocks Amphitheatre in Colorado, United States, on the group's War Tour. Originally released in 1984 on videocassette, U2 Live at Red Rocks was the band's first video release. It accompanied a 1983 live album entitled Under a Blood Red Sky, on which two tracks from the film appear. The video was directed by Gavin Taylor and produced by Rick Wurpel and Doug Stewart.

The film was arranged by U2 management to showcase the band's live act and to promote them to American audiences. It depicts the band's performance at Red Rocks on a rain-soaked evening. The concert was almost cancelled because of the inclement weather, but the band had invested in the filming with Island Records and concert promoter Barry Fey and wished to proceed with the gig. The rain and the torch-lit atmosphere of the surroundings made U2's performance dramatic. Segments of U2 Live at Red Rocks were shown in regular rotation on MTV, and were also broadcast on other television networks. (Full article...)
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Haunting the Chapel is an extended play (EP) released by American thrash metal band Slayer in 1984 through Metal Blade and Enigma Records. Slayer's debut album Show No Mercy became Metal Blade's highest-selling, leading to producer Brian Slagel wanting to release an EP. Recorded in Hollywood, the recording process proved difficult when recording drums in a studio without carpet, although it resulted in drummer Dave Lombardo meeting Gene Hoglan who was to become an influence in his drumming style and speed. It was during the recording of this session that Lombardo first had the double bass added to his kit. Hoglan, working for Slayer at the time, sat at the kit and played a double bass for the first time. Lombardo was impressed and although Hoglan never gave him lessons, he did give him tips regarding the use of the double kick drum.

Although originally featuring three songs, the record evidences a marked evolution from the style of their previous album, Show No Mercy, and is considered the first demonstration of the band's "classic" style displayed on later albums and is often described as a "stepping stone". The songs "Captor of Sin" and "Chemical Warfare" were regularly featured on the band's live set list. "Chemical Warfare" appears in Guitar Hero: Warriors of Rock. (Full article...)

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The following are images from various record production-related articles on Wikipedia.

Image 1The studio at Ridge Radio in Caterham, England (from Recording studio)
Image 2Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
Image 3Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)
Image 4Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)
Image 5Hip-hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip-hop beats. (from Hip-hop production)
Image 6The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)
Image 7Korg D888 eight-track digital recorder (from Multitrack recording)
Image 8A selection of instruments at a music studio, including a grand piano (from Recording studio)
Image 9The Siemens Studio for Electronic Music c. 1956 (from Recording studio)
Image 10Home studio setup (from Recording studio)
Image 11Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 12Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)
Image 13The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 14Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Image 15Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Image 16Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)

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Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

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Claude Joseph Rouget de Lisle, the composer of the French national anthem "La Marseillaise", sings it for the first time. The anthem is one of the earliest to be adopted by a modern state, in 1795.

Most nation states have an anthem, defined as "a song, as of praise, devotion, or patriotism"; most anthems are either marches or hymns in style. A song or hymn can become a national anthem under the state's constitution, by a law enacted by its legislature, or simply by tradition. A royal anthem is a patriotic song similar to a national anthem, but it specifically praises or prays for a monarch or royal dynasty. Such anthems are usually performed at public appearances by the monarch or during other events of royal importance. Some states use their royal anthem as the national anthem, such as the state anthem of Jordan.

Anthems became increasingly popular among European states in the 18th century. In 1795, the French First Republic adopted "La Marseillaise" as its national anthem by decree, making France the first country in history to have an official national anthem. Some anthems are older in origin but were not officially adopted until the 19th or 20th century. For example, the Japanese anthem, "Kimigayo", employs the oldest lyrics of any national anthem, taking its words from the "Kokin Wakashū", which was first published in 905, yet these words were not set to music until 1880. The national anthem of the Netherlands, the "Wilhelmus", contains a melody and lyrics dating back to the 16th century, but it was not officially adopted as the country's national anthem until 1932. (Full article...)
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Wynonna spent eight weeks at number one in 1992.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1992, 25 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

In early 1992, after performing with her mother in the duo The Judds since the early 1980s, Wynonna Judd, now known mononymously as Wynonna, launched her solo career and achieved immediate success. She topped the Hot Country Singles & Tracks chart with her debut single "She Is His Only Need" and followed it up before the end of the year with two more chart-toppers with "I Saw the Light" and "No One Else on Earth". The three songs spent a total of eight weeks at number one, the most by any act in 1992. Alan Jackson was the only other artist to achieve three number ones during the year, but his three chart-toppers, "Dallas", "Love's Got a Hold on You" and "She's Got the Rhythm (And I Got the Blues)", spent only four weeks in total at the top of the chart. Brooks & Dunn, Collin Raye, Garth Brooks and Vince Gill each reached number one with two songs. (Full article...)
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Johnny Cash, pictured performing with his band The Tennessee Three, had a long-running number one with "Ring of Fire".

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1963, 10 different singles topped the chart, at the time published under the title Hot Country Singles, although there were 21 distinct runs at the top, as the majority of the singles had multiple spells at number one. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

In the issue of Billboard dated January 5, Marty Robbins climbed to number one with "Ruby Ann", replacing "Don't Let Me Cross Over" by Carl Butler and Pearl, which had been in the top spot in the last issue of 1962. Robbins only held the number one position for a single week before the husband-and-wife duo returned to the top of the chart. "Don't Let Me Cross Over" had three separate runs at number one during the early part of the year, the last of which lasted for eight weeks, but it would be the only chart-topper of the duo's career. Separating the song's three runs in the top spot during the spring of 1963 were two spells at number one for "The Ballad of Jed Clampett" by Lester Flatt and Earl Scruggs, the first song in the bluegrass genre to top the chart. The song, the theme from television sitcom "The Beverly Hillbillies", was the only number one for the duo. In May, "Lonesome 7-7203" by Hawkshaw Hawkins topped the chart, his first and only single to reach number one. This was a posthumous success for the singer, who had died in a plane crash two months earlier. Later in the year, both George Hamilton IV and Ernest Ashworth achieved their first Hot Country number ones. (Full article...)
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Cristian Castro was the first artist to reach number one on the Latin Pop Airplay chart in 1994. He also had the most number one singles in 1995 with three songs.

In October 1994, Billboard magazine established Latin Pop Airplay, a chart that ranks the top-performing songs played on Latin pop radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to Billboard, "Latin pop" refers to pop music sung in Spanish. Five songs topped the chart in 1994 while 16 tracks did the same in 1995. Until November 5, 1994, BDS ran tests charts which only listed the number one song of the week on Billboard's electronic database.

The first song to reach number one on the Latin Pop Airplay chart was "Mañana" by Cristian Castro, which was composed and originally performed by Juan Gabriel. Castro was also the artist with the most number-one songs in 1995 with "Con Tu Amor", "Azul Gris", and "Vuélveme a Querer". The latter song held this position for the longest with 14 weeks. Luis Miguel had two number-one songs on the chart in 1994 with "El Día Que Me Quieras" and "La Media Vuelta", the second of which was the final chart-topper of the year and the first at the start of 1995. He achieved his third number one track in 1995 with "Todo y Nada". The three songs were recorded for the album Segundo Romance (1994), in which Luis Miguel covers ballads from Latin America. Ednita Nazario became the first female artist to have a chart-topper with "Quiero Que Me Hagas el Amor" and achieved her second number one song a year later with "Gata Sin Luna". (Full article...)
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The Grammy Award for Best Pop Collaboration with Vocals was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality pop songs on which singers collaborate. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

The award for Best Pop Collaboration with Vocals was first presented to Al Green and Lyle Lovett at the 37th Grammy Awards (1995) for the song "Funny How Time Slips Away". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that performed "newly recorded collaborative pop performances" that "do not normally perform together." (Full article...)
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"I Follow Rivers" by Lykke Li (pictured in 2009) topped the Romanian Top 100 for 12 weeks in 2011 and 2012, making it the song with the most documented weeks at number one in the chart's history.

Founded in 1995, the Romanian Top 100 was the national music chart of Romania. It was compiled by broadcast monitoring services Body M Production A-V (1990s and 2000s) and by Media Forest (2010s), and measured the airplay of songs on radio stations throughout the country. In 2005, the number of radio stations involved was 120. Starting in 2004, the chart was announced during a two-hour radio show which initially emerged from a partnership with teen magazine Bravo. The Romanian Top 100 was also featured in Billboard's Music & Media magazine until 2003, and was—apart from a weekly Kiss FM podcast in the 2010s—announced on its own website. As of 2026, the Romanian Top 100 lacks usable archives, especially for the late 1990s and 2000s.

Over its 17 years of existence, around 150 documented singles reached the number-one position, the first being "You Are Not Alone" by Michael Jackson in 1995. "I Follow Rivers" (2011) by Lykke Li spent 12 weeks at the summit, longer than any other song. The most successful artists were Madonna and Kylie Minogue with six documented number ones each. Multiple artists reached number one with several singles in a calendar year, including the Black Eyed Peas with "Where Is the Love?" and "Shut Up" in 2004. Cleopatra Stratan was four years old when she topped the chart in October 2006 with "Ghiță", making her the youngest artist ever to attain a number one in any country according to Guinness World Records. The Romanian Top 100 ceased publication after its last broadcast on 19 February 2012, and was replaced with the Airplay 100. (Full article...)
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Buck Owens had four number ones in 1966.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1966, 13 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 53 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

At the start of the year the number one single was the instrumental "Buckaroo" by Buck Owens and his Buckaroos, the track's second week in the top spot. It held the number one position for the first week of 1966 before being replaced by "Giddyup Go" by Red Sovine, the first of a number of sentimental songs about the truck-driving industry for which the singer would become known. After Sovine's six-week run at number one, Owens returned to the top with "Waitin' in Your Welfare Line", the first of three chart-toppers from his album "Open Up Your Heart". One of the most successful recording artists of the mid-1960s, Owens spent the highest number of weeks at number one in 1966, occupying the top spot for a total of 18 weeks with his four chart-topping singles. Only two other artists took more than one single to number one in 1966. Eddy Arnold, one of the biggest country music stars of the 1940s and early 1950s, had revitalized his somewhat declining career in the mid-1960s by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier honky-tonk style in favor of smooth productions which had a broader appeal. In 1965, Arnold had gained his first number one in ten years, and his success continued into 1966, when he reached the top spot twice and spent a combined total of ten weeks at number one. Jim Reeves also achieved two chart-toppers in 1966, both of which were posthumous; the singer had been killed in a plane crash two years earlier. (Full article...)
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Donovan never had a number-one single or number-one album in his native UK; however, his The Universal Soldier EP spent eight weeks at the top of the EP chart.

In the 1950s and 1960s, a "third vinyl format" was introduced alongside long-playing (LP) albums, and singles. The extended play (EP) used the same formats as singles but contained more tracks. Singles were the popular record format at the time – predominantly 10-inch 78 rpm and 7-inch 45 rpm formats – and the first singles chart was published by the New Musical Express in 1952, with many other publications also producing singles charts in the 1950s and 1960s. Record Mirror published the first album chart in 1956, and when Record Retailer began compiling an LP chart on 12 March 1960, they also compiled an EP chart. The EP chart consisted of a top ten, and was expanded to fifteen positions the following week, and twenty the week after that.

EPs "died out in the late 1960s", and Record Retailer reduced the chart to ten positions on 16 April 1966, publishing the final EP chart on 16 December 1967. For six weeks in 1966 and two weeks in December 1967, Record Retailer did not publish EP charts, but they were compiled, and Record Mirror published them; Record Mirror had begun publishing charts compiled by Record Retailer in March 1962, following a decision to stop compiling their own albums and singles charts. (Full article...)
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The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
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Marc Anthony had the most number one songs of 1996 with five.

Tropical Airplay is a chart that ranks the top-performing songs (regardless of genre or language) on tropical radio stations in the United States, published by Billboard magazine based on weekly airplay data compiled by Nielsen's Broadcast Data Systems. It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. In 1996, 20 songs topped the chart, in 52 issues of the magazine.

The first number one of the year was "Nadie Como Ella" by Marc Anthony, which had been in the top spot since the issue dated December 23, 1995, and spent a total of three weeks at this position. Marc Anthony was also the artist with most number ones in 1996 with five songs. Víctor Manuelle and Jerry Rivera achieved their first chart-toppers in 1996 and each had two number ones in the year. "Loco de Amor" by Rivera held this position for seven weeks and tied with Frankie Ruiz's song "Ironía" for the longest run at number one. The latter song was named the best-performing track of the year on the Tropical Airplay chart and won the Billboard Latin Music Award for "Tropical/Salsa Hot Latin Track of the Year" in 1997. (Full article...)